Amnesty International screens two films on immigrants, refugees in Rosendale
Tuesday, May 1: This year’s Human Rights Film presentation includes America; I Too and The Resettled.
Tuesday, May 1: This year’s Human Rights Film presentation includes America; I Too and The Resettled.
The breakthrough movie to put the Hudson Valley on the map is John Krasinski’s A Quiet Place, which was filmed at recognizable locations – a farmhouse in Pawling, a market in Beacon, the Wallkill Valley Rail Trail bridge in New Paltz.
Saturday, April 21: Lowell Thomas (1892-1981), who long made his home in Pawling, was a pioneer broadcaster, journalist, lecturer, author, globetrotter, raconteur and media technology innovator.
Saturday, April 21: Obie Award-winning writer and actor Chris Wells will host the fashion and cabaret show at Woodstock’s Byrdcliffe Barn. Expect “bawdy, sexy and joyful,” says Wells.
Friday-Sunday, April 13-15: Written by Storyhorse Theater co-founder Jeremy Davidson and directed by his wife and co-founder Mary Stuart Masterson, the unsolved murder mystery of a local surveyor will be staged as a reading, with characters giving voice to the action.
Watching Isle of Dogs is a delightful experience from beginning to end. They might as well inscribe the name plaque for the 2018 Best Animated Feature Oscar right away.
Saturday, April 7: Frank Cabot inherited the Quebec property, Les Quatre Vents, when he was 40, and began dividing his time between it and the summer home in Cold Spring that he and his wife called Stonecrop. On hand for the question-and-answer session that follows the screening will be Gregory Long, CEO/president of the New York Botanical Gardens and a longtime colleague and friend of Frank Cabot, along with designer Bunny Williams.
Thursday, April 12: A former tenant lawyer in Greater Boston’s Latino community, Espada is a professor of English at the University of Massachusetts-Amherst. He is also the author of more than 20 books as a poet, editor, essayist and translator.
Love, Simon may be the closest thing we’ve seen yet to a contemporary spin on the John Hughes oeuvre.
Saturday-Sunday, March 31-April 1: Her high-adrenaline choreography combines elements of hip-hop, punk, West African and street dance, praised by The New York Times as “an onslaught of thwacking arms, emphatic kicks, dizzying spins, swift somersaults, perilous balances and slippery contortions.”