Gratefully Yours to play “ideal” sets submitted by fans Friday at the Falcon
Alex Mazur’s excellent, regional Dead cover band Gratefully Yours returns to the Falcon Underground in Marlboro on Friday, January 20.
Alex Mazur’s excellent, regional Dead cover band Gratefully Yours returns to the Falcon Underground in Marlboro on Friday, January 20.
The sheer volume of material that has been gathered is astounding: 16,000 wind-spinners; millions of plastic pony beads; thousands of ceramic birds, fruits and animals; 13 gilded pigs; more than ten miles of crystals; 24 chandeliers; one crocodile; and 17 cast-iron lawn jockeys.
A jazz iconoclast of the highest order, DeJohnette has long been a genuine, walking-the-talk community member as well.
Club d’Elf is the rotating-membership collective headed by Boston-based bassist and composer Mike Rivard. The rotation has featured a number of luminaries over the years, but the most frequent big name on the marquee has been the wicked exploratory keyboardist and Hudson Valley resident John Medeski.
This Saturday at BSP- The band has long been the region’s premier reggae/ska/global pop group – maybe the only band that can pack the Bearsville Theater, the Falcon, Club Helsinki and BSP, the grand slam of our small-to-mid-sized national-circuit rooms.
“We feel, if we’re asking for the community’s financial support, the artists will in turn do something for the community.”
The Japanese like to visualize good fortune to come by making their first calligraphy of the year an auspicious Chinese character called a kanji, encapsulating the particular flavor of positive energy that one next wishes to embody. The practice is called Kakizome, meaning “first writing.”
Mike Hollis celebrates the release of Lost and Found at the Falcon Underground in Marlboro on Thursday, January 5 at 7 p.m. Dante Defelice opens. Per usual at the Falcon, there is no cover, but generous donation is encouraged.
New Year’s events from across the area, including concerts, public gatherings and more.
Our music critic discusses the ambivalence that comes with being a musician writing about music. “This is not a job for people who like to feel necessary.”