4/8: Some of Sam Tufnell’s resin “power gnomes” are already testing their footing on what’s soon to be Gnome Mountain

4/8: Fifteen-time Grammy-winner and serial collaborator Béla Fleck is one of the least predictable mavericks of modern Americana.

4/8: The program features Become Ocean by the Pulitzer Prizewinning composer John Luther Adams and radical, Grammy-winning composer Tan Dun’s Passacaglia: Secret of Wind and Birds, a piece in which the audience may participate by downloading an app that produces bird sounds.

4/8: Frampton Comes Alive, with its full-face cover, was ubiquitous. In terms of sales, it keeps company with Rumours, Thriller and a tiny handful of others.

The Village Voice named the singer, writer, songwriter and artist “Best Downtown Performance Artist,” and The New York Times declared him a “major vocal talent.”

Babette Hierholzer & Jürgen Appell’s Kaatsbaan program will span the centuries, featuring works by Johann Pachelbel, J. S. Bach, Johannes Brahms, Robert Schumann, Ernesto Lecuona and Richard Wagner.

“The ethos of zine culture has always been that if you are not finding what you want to be reading, go and make it yourself.”

Friday, 3/24: Our benefit concerts used to be driven by bad weather – really bad weather. Now they seem more likely to be about sustaining critical and endangered social institutions. This concert was partly produced by Fenner Osmond Friedman, age 15, as part of a final project for a school-run mentorship with WDST.