NYS Museum showcases Arthur Anderson’s vast collection of Woodstock art
“People would say, ‘Why do you have five portraits by Eugene Speicher?’ Little did they know I had 20!”
“People would say, ‘Why do you have five portraits by Eugene Speicher?’ Little did they know I had 20!”
Friday, Nov. 30: A special night of Gothic celebration with the singer/songwriter, Dresden Doll, playwright, filmmaker, music-business theorist and author.
Saturday, Nov. 17: The lauded trombonist explores the intersection of indie art song, jazz and world music with Catharsis, whose latest politically charged record, Find the Common, Shine the Light, was described by The Nation as “unpretentiously intelligent and profoundly moving.”
Saturday, Nov. 17: This concert will feature classical music with Asian influences: Stravinsky’s Nightingale and Bartok’s Mandarin, plus Silk Road Ensemble clarinetist and composer Kinan Azmeh will perform in his own Suite for Improvisor and Orchestra.
Wednesday, Nov. 21: The brothers Felice, sporting a revamped lineup and a bottomless catalogue of classic Americana surrealism, will be joined by Not My Sister.
Friday, Nov. 16: According to the artist, who also practices psychiatry and teaches mediation, “Psychologically, the shadow worlds are viewed as a projection of denied aspects of the ‘self’ onto an ‘other’… I view these photographs as narrative, our place in this world.”
Sunday, Nov. 18: As part of Ashokan’s Catskill Conversations, the painter and printmaker tells the story of the devastation and upheaval that her ancestors survived during the creation of the Ashokan Reservoir.
The Falcon has never sold a ticket. Not one ever to anyone – not when Pat Metheny played here; not for Chris Thile, who might have sold out Carnegie Hall the night before.
Friday, Nov. 9: She may have arrived a decade or two too late to have enjoyed the peak of the form, but Colvin’s early records Steady On and A Few Small Repairs are straight-up classics of the genre.
Saturday, Nov. 10: The chamber orchestra could play Mozart and Haydn, and maybe Beethoven, but certainly not Schumann, Brahms and Dvorák. It needed to expand.