Feltsman’s dream realized
July 10-28: Now tuition-free, PianoSummer brings top emerging pianists from all over the world to SUNY-New Paltz. This year the Flier Competition carries a new first prize: a solo debut recital at Carnegie Hall.
July 10-28: Now tuition-free, PianoSummer brings top emerging pianists from all over the world to SUNY-New Paltz. This year the Flier Competition carries a new first prize: a solo debut recital at Carnegie Hall.
Sail to Bannerman’s Island, fly at Old Rhinebeck Aerodrome, and travel back in time at Stone House Day in Hurley.
Friday-Sunday, July 7-9: Television star’s bittersweet comedy deals with the ramifications of a mushroom trip gone awry.
July-August: Hudson Valley Shakespeare Festival spins up a giddy Jane Austen classic. Amazingly, deliciously, it all works; but purists should consider themselves forewarned.
Sunday, July 9: Expect more than 500 antique, hot rod and classic cars lining the village streets in all their gleaming glory.
Sunday, July 9: Bring a folding chair and a light jacket, sweater or sweatshirt, even if it’s a 95-degree day up top, it will be refreshingly cool in the cave.
Friday-Saturday, July 7-8: You can see a pair of cultural icons on consecutive nights in the surreal environment of the traveling Weimar performance tent.
Saturday, July 8: Tepfer alternates between performances of Bach’s famous variations (at one time the quarry of Glenn Gould and a few others with the technical facility to handle them) and modern improvisations on Bach’s themes by a truly liberated improvisor.
Saturday, July 8: The visionary novelist and cyberpunk William Gibson famously wrote, “I have always maintained that Steely Dan’s music was, has been and remains among the most genuinely subversive oeuvres in late-20th-century pop.”
Through July 16: After opening the summer season with Michael Frayn’s Noises Off, Shadowland Stages in Ellenville now offer the New York premiere of The Jag, written years ago by Gino DiIorio but held up for practical reasons until now. Shadowland’s Brendan Burke explains that the acquisition of an actual Jaguar (the car, not the cat) was imperative to the production. There’s just no way this play could be done without the genuine article onstage.