Columns

Mercurial personality

Mercurial personality

Mercury alters its brightness more than any other planet, varying by three hundredfold. Each year its light goes from fainter than the “Seven Sisters” to more than double the brilliance of the Dog Star Sirius, the brightest star. These nights it’s near its brightest, but it’s fading rapidly.

Mark Sherman: Generation gripes

Mark Sherman: Generation gripes

Generation gaps have always been important. I remember when I was in my 20s, there was a saying around that you shouldn’t trust anyone over 30. Of course, when we all got into our 30s we realized we shouldn’t trust anyone under 30.

Ask a professor: Robert Miraldi discusses First Amendment challenges in the age of digital and social media

Ask a professor: Robert Miraldi discusses First Amendment challenges in the age of digital and social media

We have met to talk about the unprecedented journalistic conditions of the Trump Age, in which the press finds itself demonized, discredited and (often literally) attacked. Meantime, digital media have created all kinds of new sources, opportunities and venues for journalists, who, in the podcast and oral history age, enjoy latitude for opinion and personal identity as never before. And no one really gets paid much for any of it. New media companies still appear to work in spacious, urban, open-plan offices, but it is a stock Getty image. Everyone’s actually holed up in a bedroom somewhere drinking Monster.

Hunting stories

Hunting stories

Hunting season is upon us. Though this sport has lost favor in the last few years, I still await clothed hunters who now with bright day-glow orange are easily recognized at convenience stores and gas stations. Most sport their tags on the backs of their jackets.

Kingston After Dark: It’s all about delivery

Kingston After Dark: It’s all about delivery

The big show I want to plug this week in none other than rising Rochester act Mikaela Davis, who comes to BSP Kingston Wednesday, Nov. 27. Her Rounder Records album Delivery was produced by Grammy winner John Congleton (St. Vincent, David Byrne, Clap Your Hands Say Yeah) and features a wide array of influences. I really enjoyed the title track video on YouTube, an evocative black-and-white performance video that reminded me of a weird shared space between Norah Jones piano jazz, sentimental indie rock and personal revelation.