Shawn Colvin to perform at Levon Helm Studios
Friday, Nov. 9: She may have arrived a decade or two too late to have enjoyed the peak of the form, but Colvin’s early records Steady On and A Few Small Repairs are straight-up classics of the genre.
Friday, Nov. 9: She may have arrived a decade or two too late to have enjoyed the peak of the form, but Colvin’s early records Steady On and A Few Small Repairs are straight-up classics of the genre.
Saturday, Nov. 10: The chamber orchestra could play Mozart and Haydn, and maybe Beethoven, but certainly not Schumann, Brahms and Dvorák. It needed to expand.
The classical music event of the season is certainly the premiere performance of the newly reconstituted Woodstock Symphony Orchestra, a change of name which acknowledges the expansion of the Woodstock Chamber Orchestra into a larger ensemble which can perform works from the symphonic repertoire.
Monday-Sunday, Oct. 29-Nov. 11: For a prix fixe of $32.95 for dinner or $22.95 for lunch (tax, beverage and gratuity not included), you get a three-course meal at some of the region’s finest restaurants (including at the Culinary Institute of America).
Friday, Nov. 2: Jeff Goldblum lays down some heavy science about the nature of nature while making an impressive pyramid with his achromachian fingers. And then all Hell breaks loose.
Friday, Nov. 2: Mere months after former Sonic Youth bassist and songwriter Kim Gordon led her experimental noise duo Body/Head to the backroom theater at BSP, Sonic Youth’s guitarist, principal songwriter and nominal frontman does the same.
Eula was not at all shy about letting it be known, quite loudly, whether he loved or hated something, aesthetically speaking.
Friday, Nov. 2: The silent horror classic comes to new life, accompanied by the music of the jazz trombonist and composer Chris Washburne and his ensemble, Rags and Roots, with vocalist Brianna Thomas.
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Saturday-Sunday, Nov. 3-4: Schneider and his collaborators invite the audience to look down, literally, into all-too-fleeting revelations, narratives and emotional interactions flooding our bodies and brains every second of every day. New York Times calls Schneider’s work inventive and astounding.