Woodstock Framing Gallery features exhibit of iconic rock photos from original negatives
Joe Stefko will speak about the collection Saturday, Nov. 5 at 4 p.m. The exhibit will be up through Thanksgiving.
Joe Stefko will speak about the collection Saturday, Nov. 5 at 4 p.m. The exhibit will be up through Thanksgiving.
On a few occasions in the early days of the cinema industry, indie filmmakers with limited production budgets managed to capture more authentic representations of Native American lifeways. One such experiment, long thought lost but recently restored, was The Daughter of Dawn, shot in the Wichita Mountains of Oklahoma in 1920 by Norbert A. Myles and Richard Banks.
“Exploring the Tarot” is a collection of 23 hand-hooked rugs, created by fiber artists hailing from Nova Scotia to Georgia.
The program at Vassar will feature Mendelssohn’s Quartet in D Major, Op. 44, No. 1; Bartók’s Quartet No. 2, Op. 17; and Dvorák’s Piano Quintet featuring Vassar music faculty member Todd Crow. This concert is free and open to the public.
The Rosendale Café present Tony Trischka’s Early Roman Kings, featuring the music of Bob Dylan, on Saturday, November 5 at 8 p.m.
Sat. Nov. 5- Powerhouse blues and Americana vocalist Shemekia Copeland is the latest in a seemingly endless string of outsize blues, jazz, roots and world-music names to visit the Falcon in Marlboro.
The multipart podcast series – picked up by the sympathetic Night Vale Presents network – tells the story of a surreal radio variety show that takes place atop the Eiffel Tower, and centers on the figure of a lonely janitor, played by Koster himself.
The screening features a costumed “shadow cast” whose task is to act out scenes, dance to the musical numbers from the film and encourage callbacks from the audience.
Terror at the Mike, Horror slam, Addams Family Musical, Haunted Halloween Beauty Pageant, Psychic Pattie Canova at CIA
His songs “are darkly mythic: spacious, fractured American landscapes and surreal character studies with numerous falls from grace and slanted redemptions.”