Catalyst well balanced at Maverick
Reviews of some recent local classical musical performances, plus a look forward.
Reviews of some recent local classical musical performances, plus a look forward.
Comic strip fans of all generations will have the unique opportunity to check out the history of the genre at the Ellenville Public Library and Museum and meet our own hometown cartoonist at the opening reception on Saturday, August 3.
Maria Todaro, co-founder and executive director of the Phoenicia International Festival of the Voice, has set Donizetti’s opera The Elixir of Love in an African village for the 2019 festival, which will be held Friday, August 2, to Sunday, August 4. This choice led to the theme of African-American artists and music that weaves through a number of this year’s events, including a performance of selections from a historic ragtime-influenced opera, Treemonisha, by composer Scott Joplin.
Aug. 3: The scope and density of this one-day affair defies easy description. It is full of exhibits; serious talks by serious artists; five hours of world-class international dance in and around barn; live music with a hip, global, and Bacchanalian bias; and general pageantry executed at the visual and conceptual level one would expect from an artist’s colony.
For its fifth annual Celebration of the Arts, to be held on Saturday, Aug. 3, the nonprofit group Midtown Arts District (MAD) is doing something different: an all-day series of interactive workshops — an expo of the arts, if you will — at the Kingston Center of SUNY Ulster, located in the former Sophie Finn elementary school at 94 Mary’s Ave.
Saturday, Aug. 3: The popular earthy Boston-area college rock band known for, among other things, beating the crap out of bongos, has just released a record that is not only largely electronic, but exquisitely so.
Fort Worth native Peter More is a polymath of roots rock, ultra-competent, fluent in regional dialects and sensitive to sound of the eras, observationally astute and emotionally anchored. He rocks, grooves, swoons, waltzes and whispers with the kind of offhand authority that his genre reveres. He can even turn a tune with a wonderfully rustic Samba or Afro-Cuban flair.
Michael Lang tossed in the towel on his Woodstock 50 dream on July 31 after a tumultuous week in which he was turned down for permits at Vernon Downs Racetrack & Casino in central New York, announced a move to the 52-year old Merriweather Post Pavilion in Columbia, Maryland, halfway between Baltimore and Washington, D.C, then said the festival would be free, and finally saw most of the engaged artists pull out.
In the seven years since Sevan Melikyan opened Wired Gallery in High Falls, he’s become known in these parts as
Unison Arts Center has mounted a year-long exhibition designed to disappear on its own. “Composed to Decompose,” the 21st annual show to be featured in the art center sculpture garden, opened Sunday, July 21 and will remain on view through July 2020.