A renowned beauty and intellect of legendary sensuality and style, she was praised, envied, scandalized, even worshipped (for one, by Byrdcliffe’s founder Ralph Whitehead, who named the domicile he built for her “The Angel.”) But though she was the first great woman artist of Woodstock, her face remains all but unknown to us.

The idea that a feminine impulse could save testosterone-driven capitalism from itself is not new. In fact the notion was subtly rooted in Woodstock’s first back-to-nature, Arts and Crafts community, Byrdcliffe. Here a bisexual and lesbian sub-culture prevailed unacknowledged, even by itself. Historians of an earlier era remained at best vague in describing it, and at worst silent. That silence ends now.

Rumors proliferate in Woodstock like botulism in an ancient can of tuna fish. So until it failed to go away, I paid little mind to the one in the headline. A single visit to the town offices, however, and the gossip was at least partially substantiated. Someone named Erin Moran had indeed purchased 24 acres of land under and around one of Woodstock’s less advertised treasures (which occupies approximately 125 acres) for a dollar. Part 2 of 2.

Rumors proliferate in Woodstock like botulism in an ancient can of tuna fish. So until it failed to go away, I paid little mind to the one in the headline. A single visit to the town offices, however, and the gossip was at least partially substantiated. Someone named Erin Moran had indeed purchased 24 acres of land under and around one of Woodstock’s less advertised treasures (which occupies approximately 125 acres) for a dollar.